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about
“Glass House” is PawPaw Rod’s follow-up to “HIT EM WHERE IT HURTS”, the Oklahoman’s debut blend of rap and 60s soul that spent weeks at the top of the Spotify Viral charts and notched over 20 million plays across all digital platforms. “Glass House” is another effortless groove that combines hard-nosed Bill Withers-like wisdom with hip-hop swagger and 70s psychedelia. “It’s about choosing to accept that some things are out of our control,” says PawPaw Rod. The record arrives May 20 via Godmode, the LA-based music company that's brought you artists such as Channel Tres, Yaeji, and JPEGMAFIA.
lyrics
We both know what happens, when you stomp in a glass house
Get to stomping in a glass house
We both know what happens, when you stomp in a glass house
Get to stomping in a glass house
if nothin’s new under the sun, we can figure it out
my mind was made to run for fun
ima change up the house
too wild to be certain, no sure things
That never stops the loop life brings
Samo
Samo shit
Samo
Samo
Samo
We both know what happens, when you stomp in a glass house
Get to stomping in a glass house
We both know what happens, when you stomp in a glass house
Get to stomping in a glass house
Roll with situations... damn
Found a voice I made a choice, that came with your blessing
Etched Interpretations of life
walk the land with a message in hand
Dap me up then!
Dap me up then!
We both know what happens, when you stomp in a glass house
Get to stomping in a glass house
We both know what happens, when you stomp in a glass house
Get to stomping in a glass house
credits
released May 20, 2021
song written by:
Rodney Hulsey II, Adam Moerder, Nick Sylvester
record produced by:
Nick Sylvester, Adam Moerder, Smash Brothers
recorded and mixed by:
Nick Sylvester at Godmode, Los Angeles
assistant mixing by:
Robert Szmurlo
mastered by:
Sarah Register
executive produced by:
Talya Elitzer
lead vocals:
Rodney Hulsey II
background vocals:
Nick Sylvester
Wurlitzer 200a, Moog Matriarch, Casio CZ101 synthesizers:
Nick Sylvester
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell